Essay --

Rodrigo Csar is the cancer that grows within Rodrigo Ferreira.From the sculptural swap based tradition where very little space was left for sunrise(prenominal) ideas and approaches to the mediums used (sand, ice, snow, wood, stone, among others), that Ferreira was involved with for over eleven years Csar lifts the blot out and crawls outside into this world he didnt born in only if grows in.Csar comes to be rupturing with this set of skills and knowledge of Ferreiras mainly practicable past, barely as well strong visual media based experience, in a constant search for whats ahead in the distance, go thru the dark with his arms stretched, palpably towards the uncertain.Currently working in a variety of media, his practice spans into installation, performance, video and sound.With the use of found objects and materials detoured from their route and extracted from a day-to-day context. Csar challenges and questions, with the use of juxtaposition and appropriation of the symbols ca rried within the put in objects, in the shape of a site responsive installation, the logic of a capitalist c... Essay -- Rodrigo Csar is the cancer that grows within Rodrigo Ferreira.From the sculptural foxiness based tradition where very little space was left for bare-assed ideas and approaches to the mediums used (sand, ice, snow, wood, stone, among others), that Ferreira was involved with for over eleven years Csar lifts the obliterate and crawls outside into this world he didnt born in but grows in.Csar comes to be rupturing with this set of skills and knowledge of Ferreiras mainly realistic past, but as well strong visual media based experience, in a constant search for whats ahead in the distance, press release thru the dark with his arms stretched, palpably towards the uncertain.Currently working in a variety of media, his practice spans into installation, performance, video and sound.With the use of found objects and materials detoured from their route an d extracted from a day-to-day context. Csar challenges and questions, with the use of juxtaposition and appropriation of the symbols carried within the peaceful objects, in the shape of a site responsive installation, the logic of a capitalist c...