Analysis of “Death of a Salesman” opening stage directions Essay

Arthur Millers Death of a Salesman (1949) opens with an spacious description of the Loman house. Miller uses extremely precise and detailed percentage point directions, including hold placement, sound and lighting, giving heavy significance to each of these elements and painting an unalterable picture to ensure that it is preserved in every interpretation of his work. end-to-end the opening dress directions of Act 1, despite the structure and intone beingness very factual, composed of short, clear sentences, Miller hints at underlying themes and messages by a range of stylistic devices, preparing the auditory sense for the diarrhea, and setting the scene. As the play is set in Brooklyn, New York some years after the prominent depression, many a(prenominal) references are made already at this early stage to moodlism and the American dream the desperate and yearning vision of many Americans at that time of a better life.This permeating theme bring to passs unmistakable approach patternerly even to the introduction of the characters, as the mere scenery and prop up act as emblematical elements, which reflect this motif. Miller however subliminally makes it unembellished that this dream is purely an illusion, through emblematic phrases in his stage directions much(prenominal) as rising out of reality and somatogenetic representations, for instance the small boundaries where characters enter or leave a room by stepping through a wall onto the forestage which create an aura of delusion.The first stage directions include a melody played on a flute, verbalize of grass and trees and the horizon. This natural imagery encompassing three physical elements accompanied by the soft and harmonious sound, sets a serene tone which is then highly juxtaposed with the following depiction of the house and its neighborhood, featured with darkness and hostility.This heavy contrast may be symbolic of the conflict between the dreams to which the individual aspires and the actual harshness of societys reality. The description of the surrounding cluster of apartment blocks seems almost to have a greater prominence than the house itself, as this is the first thing the audience becomes aware of. The tall and angular silhouette of Manhattan that lies in the backdrop has expressionistic features andsurrounds the Loman house in a way that suggests some metaphorical form of oppression or confinement.The glow of orange that falls upon the fragile-seeming house is personified as angry, perhaps reflecting the hostile times in which the play is set. This enclose and intimidating hostility is in part what makes the home appear so fragile, a fragility that may represent weakness in family bonds or equally, weakness in he who represents the house, condemning him immediately to the role of a tragic protagonist. Willy clings to his dreams just as an air of the dream clings to the place.This idea becomes present again in the description of Lindas feelings to wards her husband and his traits. his massive dreams are the source of his tragic nature, dreams that he shares with the rest of society, but that for him become an unhealthy obsession. Willy is cursed with the incessant desire to pursue his dreams to their end and these speech forebode a fate that unfolds as a result of this fixation. overall the opening of this play provides the audience with a sense of the themes that will separate out throughout, by cleverly using stage schemes and elements that insinuate profounder significance of what is to come.